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dc.contributor.authorKyeyune, George
dc.date.accessioned2012-07-31T09:17:45Z
dc.date.available2012-07-31T09:17:45Z
dc.date.issued2002
dc.identifier.urihttp://hdl.handle.net/10570/640
dc.description.abstractThe appropriation of external elements and their local domestication are important ingredients for the growth and survival of a distinct culture. Norbert Kaggwa, a student at the Margaret Trowell School of Fine Art, Makerere University, Kampala, 1960-1964, gives voice to a gratitude for social changes that led to rapid economic development, and at the same time to a dissatisfaction over repercussions of a rapidity so unprecedented that particular localities were taken by storm, allowing them no more than a moment for the adjustments necessary to their survival. This essay looks at the ways in which external factors were necessary currency for the emergence of new local modernism in the visual arts, and at the means by which local resources were used in this development in the wider context of rapid social and cultural change in Ugandaen_US
dc.language.isoenen_US
dc.publisherTriangle Arts Trusten_US
dc.subjectDeveloping countriesen_US
dc.subjectUgandaen_US
dc.subjectSculptureen_US
dc.subjectUrban societyen_US
dc.subjectArten_US
dc.subjectPotteryen_US
dc.titleUganda's visual environment: development and changeen_US
dc.typeBook chapteren_US


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