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Performing culture: An analysis of the language of contemporary Okuhingira ceremony among the Banyankore.

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dc.contributor.author Mbethki, Itah Patience
dc.date.accessioned 2015-02-17T07:42:12Z
dc.date.available 2015-02-17T07:42:12Z
dc.date.issued 2014-05
dc.identifier.citation Mbethki, I.P. (2014). Performing culture: An analysis of the language of contemporary Okuhingira ceremony among the Banyankore (Unpublished master's thesis). Makerere University, Kampala, Uganda. en_US
dc.identifier.uri http://hdl.handle.net/10570/4322
dc.description A Thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the award of the Degree of Master of Arts in Literature Studies of Makerere University en_US
dc.description.abstract The research set out to investigate the effectiveness of the language used in the performance of the Okuhingira ceremony among the Banyankore. In the study, emphasis was put on the contemporary ceremony of okuhingira and how it uses its linguistic and paralinguistic features to enhance performance. Furthermore, the research was carried out in the areas of Bushenyi and Mbarara Districts both of which are found in south western Uganda on the assumption that the majority of Banyankore Bantu enthnic group settled there. During the collectionof data, personal interviews with the performers were undertaken, as well as recording of the performances using video and radio recorders. The material such as songs, praise poetry and dramas were translated and transcribed. It should be noted however, that due to the constraint of time and because the research focused on the language of Okuhingira rather than the actual Performance, no transcription was incorporated in the actual research. In the analysis of the data collection and in writing the research, the performance theory as advanced by Baumann with its key principles such as archaic language, figurative language, special paralinguistics and formulae were studied in relation to okuhingira and how they enrich the performance of the okuhingira ceremony. Though the research discovered that there were some variations in the performance of Okuhingira from one area to another, as a result of borrowing from other cultures, modern influences on the traditional customs and the place where the performance was carried out that is; towns as opposed to the villages and hotels as opposed to the homes of the performers of the Okuhingira, the central aspects of the okuhingira ceremony remained the same: The movements and the structures of the ceremony as ritual were the same and some symbolic performance tools such as the omugamba, the place and significance of the bride and the serving of entachweeka were all significant in the okuhingira.. This research found that the Okuhingira ceremony as a cultural performance is the marriage ceremony of the banyankore, and in doing the okuhingira, the Banyankore are actually doing the marriage, in measured and deliberate movements that will transform a girl into a woman, a bride into a wife. However, while this research focused on the literally and performance aspects of Okuhingira taking into consideration the culture values and performative dynamics as affected by the context under which it is performed, there is a need for further research in the areas that look at and analyse the importance of the Okuhingira from an anthropological point of view. This is because while language is important in understanding the aesthetics and didactics of Okuhingira, the society needs to appreciate the socio-cultural significance of the cultural performance to the peoples of Ankole. en_US
dc.language.iso en en_US
dc.publisher Makerere University en_US
dc.subject Banyankore tribe, Uganda en_US
dc.subject Culture en_US
dc.subject Okuhingira ceremony en_US
dc.subject Contemporary language en_US
dc.title Performing culture: An analysis of the language of contemporary Okuhingira ceremony among the Banyankore. en_US
dc.type Thesis/Dissertation (Masters) en_US


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